Photographers: Michel Campeau |
My project, built on an observation of the decline of silver-based photography, took as its central object the darkroom, rapidly deserted because of the phenomenal growth in computer technologies. Both an actor in and a witness of this pivotal period in the history of art and photography, caught between analogue and digital processes, I wished to record the iconic nature of these post-industrial ruins and the remains strewn among them.—Michael Campeau
Since 2003, Canadian photographer Michel Campeau
has traveled all over the world to document the last of the
photographic darkrooms. Toronto, Havana, Paris, Berlin and Ho Chi Minh
City are just some of the cities Campeau has traveled to, seeking out
what he feels are historic and dying spaces. As digital technologies
rapidly take over analog, Campeau’s book of darkrooms act as both an
artifact and a memorial of a disappearing tradition. Photographic Darkroom
reveals that no matter where in the world, photographers have gathered
in nearly identical spaces for decades, all to witness the magic that
happens in the chemistry when the lights are shut off.
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