The photographer Vivian Maier, shown here in
an undated self-portrait, is the subject of the documentary “Finding
Vivian Maier.” Now widely considered an exceptional photographer, her
talent went largely unrecognized in her lifetime. Some of her work is on
the following slides.
Vivian Maier/Maloof Collection
The Nanny as Sphinx, Weaving Enigmatic Magic on the Sly
It’s no surprise that Maier is now the subject of a documentary, given
the quality of her work, the nominal exoticism of her life and the
secrets that still drift around her. She’s a terrific story — part Mary
Poppins, part Weegee — who was at once emancipated and in service. She
was introduced to the world, as it were, by John Maloof, one of this
movie’s directors, who bought a box of her negatives at a Chicago
auction in 2007 for about $400. The auction house, he explains, told him
the work was by Maier, but he found nothing about her on Google. He had
purchased the negatives for a book he was working on, but after
deciding that they were of no use, he stashed the box away.