Pokazywanie postów oznaczonych etykietą london. Pokaż wszystkie posty
Pokazywanie postów oznaczonych etykietą london. Pokaż wszystkie posty

poniedziałek, 27 lipca 2015

Vintage: London Fog in black and white

July 1907: St Pancras Railway Station. (Topical Press Agency / Getty Images)

The cold weather preceding and during the smog meant that Londoners were burning more coal than usual to keep warm. Post-war domestic coal tended to be of a relatively low-grade, sulfurous variety (economic necessity meant that better-quality “hard” coals tended to be exported), which increased the amount of sulfur dioxide in the smoke. There were also numerous coal-fired power stations in the Greater London area, including Fulham, Battersea, Bankside, and Kingston upon Thames, all of which added to the pollution.


czwartek, 8 maja 2014

See an exhibition about Jimi Hendrix and Bob Dylan this May


Jimi Hendrix reading Bob Dylan’s Blonde on Blonde songbook © Colin Neville Purvor
Are you ready to rock out? 

The Jimi Hendrix & Bob Dylan exhibition connects two iconic figures who changed the course of music during the 1960s. Photographers and rockstars mixed easily at that time, with no backstage security during the gigs, and this exhibition shows the power of photographers to communicate the rock ‘n’ roll experience to the world. The display includes images of Hendrix and Dylan by the Rockarchive collective including shots by Gered Mankowitz, Don Hunstein, Ray Stevenson and Jill Furmanovsky, and three of Paolo Brillo’s intimate photos of Bob Dylan performing at The Royal Albert Hall in 2013.

The exhibition has just been extended until 25 May and will host two special events dedicated to the music legends:
  • On Wednesday 14 May: meet Derek Barker, editor of Isis Magazine — the oldest and most influential Bob Dylan fanzine in the world. Derek will be at the gallery talking about Bob Dylan, the Blonde on Blonde album, how much he influenced Hendrix and vice versa. Photographer Paolo Brillo will be there, too. Event starts at 6.15pm and it’s free but you need to book your space by email.
  • On Sunday 18 May: Rockarchive has teamed up with Classic Album Sundays to present a series of album listening sessions featuring legendary rock photographers. First up is The Jimi Hendrix Experience’s Electric Ladyland album with Ray Stevenson, who photographed Hendrix himself. Tickets are £10+bf if you prebook online or £12 on the door, event starts at 6pm.
Are you ready to rock out?
Dylan & Hendrix exhibition is on until 25 May at the Olympus Rockarchive Image Space Gallery, 199 Bishopsgate (entrance on Primrose Street), Broadgate, London EC2M 3TY. Admission is free.  
For more exhibitions to see in London this month, check out our May art events listing and our Art & Photography page.

piątek, 2 maja 2014

"Gerald Howson - a very Polish affair" - London Exhibition

"Gerald Howson - a very Polish affair" collection has already been shown in Krakow, Lublin and Warsaw.

The exhibition has been organised by the Polish Cultural Institute in London, Warsaw's History Meeting House and Gerald Howson Archives.

27th May – 13th June, 12 Star Gallery, Europe House
32 Smith Square, London SW1P 3EU

czwartek, 13 lutego 2014

Tony Ray-Jones & Martin Parr - Only in England

Only in england

Event details

The first exhibition at Media Space shows 50 previously unseen works by British photographer Tony Ray-Jones alongside rarely seen early black and white photographs taken by his fellow countryman Martin Parr. Between 1966 and 1969 Ray-Jones created a body of photographic work documenting English customs and identity. Humorous yet melancholy, these photographs were a departure from anything else being produced at the time. Tragically, in 1972, Ray-Jones died from Leukaemia, aged just 30. His short but prolific career had a lasting influence on the development of British photography. Inspired by him, Martin Parr produced The Non-Conformists, a project shot in black and white that started within two years of Ray-Jones’ death and demonstrates his legacy and influence. Parr was invited to select the works by Ray-Jones for show, from 2700 contact sheets and negatives in the archive.

September 21, 2013 till March 16, 2014 United Kingdom London
Mon-Sun: 10am-6pm

Venue details

Media Space
2nd floor Science Museum
Exhibition Road
London SW7 2DD
United Kingdom
T: +44 20 7942 4000

wtorek, 7 stycznia 2014

Panel Discussion The Curated Ego: What Makes a Good Selfie?

© estate of Angus McBean / National Portrait Gallery, London
16 January 2014, 19:00
Ondaatje Wing Theatre


A conversation between leading academics and artists investigating questions around self-portraiture and personal identity, alongside presentations of works by emerging and established photographic artists.
Philosophers have often linked personal identity to memory: it is suggested that we continue to be the same person as long as our memory with past events persist. But are memories unchanging, or even objective accounts of our experience that are stored in a glass bell? Or can memories be curated to fit a desirable image of the self?

See And Read More »»

wtorek, 26 listopada 2013

An uncommon eye by Stephen Shore

Ginger Shore Stephen Shore
Legendary American photographer Stephen Shore is training his lens on digital media with his first eBook

To say that Stephen Shore's career is era-spanning is putting it lightly: at 17, he fell in with the Warhol crowd and photographed Andy, Edie Sedgwick and the other bright young things of the Factory; in his 20s, he photographed his road trip from Manhattan to Amarillo, Texas in 1972 and pioneered the use of color in fine-art photography while doing so; now four decades into his career, he has just released his first eBook on iTunes, a moving image iBook that captures New York as only Shore sees it.

Something + Nothing, his first solo show in London for over six years, opens at Sprueth Magers, incorporating classic images from his early career as well as work from his new series, Ukraine, which captures Eastern European Holocaust survivors in their homes, villages and cities. As always, Shore always has his eye trained on the constantly moving, mutable future. Dazed speaks to the legendary photographer about the digital medium and his ever-evolving work.
“Everyone thinks they’re making photographs, and in a general sense they are – but there is a language of visual thinking that an experienced photographer can see"

poniedziałek, 25 listopada 2013

A Street Photographer of 19th Century London

Photographer: John Thomson
"Caney" The Clown
[Street Life in London]
1877
Woodburytype
London School of Economics - Digital Library
 
Street photography has always held a special interest for me. I like it because I know it takes a special kind of photographer to be able to put a stranger at ease for a photograph, and that has never been more true than today. With the advent of security cameras and issues regarding privacy, people today are definitely hesitant when it comes to a stranger taking their picture.

Most street photography, however, occurs without the consent and knowledge of the subjects. The movement of people in an environment is frozen in the discovered dynamic found by the photographer's lens. That is the beauty of the great street photographs I know of.

If we look back just 40 or 50 years, “modern day” street photographers like Garry Winogrand (1928-1984) or Lee Friedlander (b. 1934) worked the streets, or stood in one spot until the right person(s) happened to walk in front of their lens for what they saw as their own “decisive moment.” Both shot constantly, quickly and intuitively, and part of their technique was being quick and non-obtrusive about it. Winogrand, for example, took hundreds and hundreds of images a day, constantly moving and shooting in order to get the shots he wanted.

piątek, 8 listopada 2013